Webbasierter Dokumentarfilm im Schnittfeld von Diskurs, Technologie und Vergemeinschaftung: der Pragmatic Turn.

Zusammenfassung der Projektergebnisse

Through the use of primary and secondary research and the production of a number of outputs, events and guest lectures alongside continuous interaction with other scholars (in the specific field of the interactive documentary and in other disciplines), this project manages to analyse, map and expand the field of the interactive documentary in a number of ways, including: the importance of an analytical approach based on the aesthetics of the form, the relevant industry components (festivals, archives etc.) and the research methodologies. In particular, the project helped and is continues to help in the creation of new perspectives of study (especially from a theoretical point of view) in the field of the interactive documentary in relation to its ‘polyphonic’ potential.

Projektbezogene Publikationen (Auswahl)

• ‘Between Interactivity, Reality and Participation: The Interactive Documentary Form’. MEI – Mediation and Information – Journal (n. 39 – 2015), pp. 213-227. ISSN: 1252-0993
  Odorico, S.
  
• ‘Web-based documentary film between discourse, technology and community building’. ZeMKI 2015 Research Report (July 2016), pp. 38-41. 2015
  Odorico, S.
  
• ‘I-Docs as Intervention: The Poetics and Politics of Polyphony’ (editorial). Alphaville: Journal of Film and Screen Media (Issue 15, 2018). ISSN: 2009-4078
  Odorico, S. and Judith Aston
  
• ‘The Poetics and Politics of Polyphony: Towards a Research Method for Interactive Documentary’. Alphaville: Journal of Film and Screen Media (Issue 15, 2018). ISSN: 2009-4078
  Odorico, S. and Judith Aston
  
• (2020) Beyond the Screen: Interactive Documentary Exhibition in the Festival Sphere. In: Vallejo A., Winton E. (eds) Documentary Film Festivals Vol. 2. Framing Film Festivals. Palgrave Macmillan, Cham. Seite 93-111
  Odorico, S.